By Jaideep Sen As an avid viewer of Kaun Banega Crorepati , I’m struck by the fact that every time a contestant praises Amitji’s (Amitabh Bachchan) glorious body of work, the reference point is always one of the two milestone films of Indian Cinema: Deewaar or Sholay . In one of my previous posts I have already mentioned that my personal all-time favourite is Sholay . Not just for its epic writing but also the sheer scale of the film: for once the powerful writing was more than backed up by an audio-visual extravaganza that had never before been seen by the Indian cinegoer. I would not be wrong in saying that it would have come as a surprise for even the veteran writing duo of Salim Saab and Javed Saab. And for this the Indian viewer will forever be grateful to the father-son combine of G.P. Sippy Saab (producer) and director Ramesh Sippy Ji. The tsunami effect of Sholay and the reverence that the writing of Deewaar has achieved draws me to that one gam