Skip to main content

#MovieReview - Stree: More Glib than Ghoulish

Bollywood's track record of horror films is not much to write about. The Ramsay Brothers' body of work in this genre is the most popular and also extremely cringe worthy - the ghouls are more likely to make you laugh than cower in fear. However, to be fair, the filmmakers worked with shoestring budgets and the VFX age had not dawned yet. The Ramsays have their die-hard fans till date, if only for their campy style and absurd plotlines.

So when Stree (released in 2019) was billed as a horror-comedy, I was a little skeptical about it. Soon critics and fans alike were raving about it and it became one of those 'sleeper hits'. Recently, thanks to streaming channels, I had the opportunity to watch it and here is my review.

Stree (Woman) has an interesting premise. A small town is haunted by a female ghost who only kidnaps men during the three nights of a festival that is celebrated annually. All the men avoid going out at night and to counter the evil powers of the ghost have the words "O Stree, please come tomorrow" painted on the outside walls of their houses. The words are painted with a "ghost-repelling" mixture. The invitation to 'come tomorrow' is a quirky take on Indian behaviour of welcoming even unwanted guests to their homes. These quirky touches do add an element of refreshing humour. The lead actor (played by Rajkumar Rao) essays the role of a small-town ladies tailor with tremendous panache. In fact, the role seems to be an extension of another character he played in Bareilly Ki Barfi where he was a shop-assistant in a saree shop.

The most interesting thing about this film is how it up-ends the stereotypical associations -- instead of damsels in distress you have men at the mercy of a woman ghost. This instantly cues in humour and there is a situation when the men have to dress up as women to avoid the clutches of this blood thirsty spirit. However, the humour is inconsistent and relies mostly on some snappy dialogue and great acting by the immensely talented cast of characters.

But where the film flounders is the plot development and the loose screenplay. References to patriarchy, status of women in society, all of which find play in the story, could have been more satirical and spoof-ish but end up serving the plot in a convenient and superficial manner. The entire backstory of how the lead character's mother was a fallen woman and hence not acceptable to society is dealt with in a couple of scenes in a most lackadaisical manner. Perhaps the biggest flaw is the lame ending. The story ends on a pretty bizarre note -- the ghost ends up exorcising itself. Seems like the filmmakers were bent on fulfilling their promise of  a story "based on a ridiculously true phenomenon".



Top post on IndiBlogger, the biggest community of Indian Bloggers

Comments

  1. Nice to go through this review, i was about to watch this movie and now ill definitely watch.

    ReplyDelete
  2. The actors are superb and the small town setting quite appealing!The ending, I found it bizarre too and I quite enjoyed their dependence on the "spirited-damsel"! :)

    ReplyDelete
    Replies
    1. Hi Deepa. Thanks for reading. :) Haha, spirited spirit indeed! :)

      Delete

Post a Comment

Popular posts from this blog

Marching in the Dark - a true story of grit and resilience

  "Nothing can dim the light that shines from within." I was reminded of this quote by Mary Angelou as I watched Kinshuk Surjan's documentary feature film titled "Marching in the Dark" . The film is an evocative tribute to the widows of Marathwada who have survived the suicides of their husbands - the men driven to despair and eventually death after years of failing harvests, rising debts and the cruel play of climate change.  Surjan introduces us to Sanjeevani, an every woman who is not anyone's idea of a hero. If anything she is a victim - of her circumstances, of the unfair deal that she has got in life and of a male-oriented world that she is part of. But she has a quiet strength to her that is evident from the first time we meet her. She is grappling with grief and the burden of raising two small children after the suicide of her husband. She is a breadwinner as well as a homemaker. She works in her brother-in-law's farm who has given her family sh...

Basu Chatterji's "Balcony Class" Films

Basu Chatterji's Rajnigandha was like a breath of fresh air in the 1970s film universe of Bombay. At a time when the Angry Young Man was beginning to dominate celluloid screens, Amol Palekar was as un-hero-like as you could get. He was the Common Man who traveled in buses, did not have hero-like mannerisms and did not breathe fire and brimstone at his opponents. Basu Chatterji's Middle of the Road Cinema burst on to the scene and surprised the movie-going audience with its everyday situations and storylines that had an undercurrent of humour. Chatterji catered to an audience that he liked to call the "Balcony Class".  Anirudha Bhattacharjee, author of Basu Chatterji and Middle-of-the-Road Cinema writes an entertaining and heartwarming account of the life and work of Basu Chatterji, one of the most under-rated directors of Indian cinema. Recall of Chatterji's brand of feel-good, slice-of-life movies is perhaps highest for his Rajnigandha, Chotisi Baat, Baaton Baa...

Farewell, Mr. Manoj Kumar! You'll be missed from Purab to Paschim!

Actor-Director Manoj Kumar breathed his last on 4th April 2025. For me, Mr. Manoj Kumar was not just a legendary filmmaker and a hugely popular filmstar but also a connection to my father, art director Desh Mukerji.  When I met him six years ago - on 6th April 2019 - he was ailing. Yet, he was gracious enough to grant me time and invite me to his home. He reminisced about his association with my father which began when they were both starting out on their careers in the film industry way back in the 1950s.  Reminiscing about the old days he said, "We were refugees from Pakistan and our family stayed at the Kingsway Camp. Later we moved to Nangloi and I studied at Hindu College.  I used to be the captain of the cricket team as well." "On 9th October, 1956, I moved to Bombay. I always wanted to see the ocean.  The first thing I did was land up on the beach, wearing a suit, and sweated it out in the Bombay heat!" he laughed. "I was starting out as an actor a...