
By Jaideep Sen
Itās
often said that good writing can stand the test of time. Its power and
relevance can shine through decades later. This thought struck me like a double
whammy in the context of the masterful works of Salim Saab and his erstwhile
writing partner Javed Akhtar Saab.
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Amitabh Bachchan in Zanjeer |
Recently
I watched a TV show, where a boy has a nightmare and gets up with a start, in a
scene that is reminiscent of the introduction of the adult Vijay in Zanjeer, the film that set off
Mr.Amitabh Bachchan on his unending journey of super stardom. It struck me that
almost all of Salim Saab and Javed Saabās writing have helped to create the āimmortalā
persona for Mr. Bachchan and set him up for till now unseen success.
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Dharmendra in Sholay |
The second
instance was when later, on the same day, I watched and heard the hook-line lyrics of a
song from the soon to be released Super 30 ā āBasanti, No dance in front of these dogsā ā which has been
interpreted from the epic Sholayās memorable dialogue: Basanti,
in kutton ke samne mat nachna.
Two
examples in one day have only reinforced my firm belief that the most memorable
creative work that has happened in not just Hindi but Indian Cinema has flowed
not only from the nib of Salim Saab-Javed Saabās pen but also from Salim Saabās
individual and independent fertile imagination.
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Sunjay Dutt in Naam |
In the recently released super
hit, Simmba,
there is a scene which harks back to one
of the most powerful sequences from Naam, filmed on Sanjay Dutt, to underline
the brave qualities of a Hero. In Simmba,
the same has been reinterpreted to establish the daredevil attitude of the
teenager Simmba.
Am still
wonder struck that Salim Saabās Naam which was released in 1986 continues to inspire after all these years. Salim
Saabās Writing has left such permanent footprints on Indian Cinemaās psyche
that at a time when we forget entire films within 30 minutes of viewing ā and sometimes
even 30 seconds ā his writing finds resonance after 32 years (Naam) as in the case of Simmba and his
work with Javed Saab (Sholay) after 44 years in the case of Super 30!
Such is
the relevance of the Maestros of Writing ā one that is forever etched in stone.
Jaideep Sen is a filmmaker and a connoisseur of the art of storytelling.
Read some of his earlier pieces in this series here...
Very nice written abt Salim javed Sahab...
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